Saturday, June 1, 2019

Blade Runner Changed My Life Essay -- Personal Narrative essay about m

Blade Runner Changed my Life Sitting in the New Yorker Theater on 88th street and Broadway, having been intrigued and fascinated by the long-running previews, I saw Blade Runner for the first time. I was just out of eighth grade, about to move on to high school, and trying to piss on to a middle-school friendship with a girl named Angela. Wed met to see Ridley Scotts new movie with Harrison Ford. Earlier in the summer, Id seen 70mm booming previews in the giant Loews Theaters around Manhattan. My full point was still filled with dark-skied images of a dark urban future mixed with muted 1940s radio music. Harrison Ford was a hard-boiled detective in an ever-raining city, dwarfed by several-hundred-story spacescrapers and color TV billboards, with musical accompaniment by the Ink Spots. I thought the film was quite a failure. There were several voiceovers and explanations in duologue that insulted the viewers intelligence, and a few last-minute, fear-driven decisions to lighten the touch and the message of the story. Visually, it was a masterpiece, but I would non have been drawn back to the film by its cinematography alone. Although my grades at the time were still in their pre-highschool mediocrity, and I had only just started that year to read books for pleasure, I was beginning to fancy myself a young keen of sorts. Id grown up assuming my family had money and was just keeping it from me. I had only ever had one torn blazer to wear to school with my pliant clip-on tie and sneakers, but how many kids have the good fortune to attend private school in the first place? I resented not having the money for better clothes, but didnt imagine I was poor. The five dollars I could never get f... .... The voice-overs and last-minute explanations Ive come to ignore, and I watch the film with a nostalgic fondness and respect. Its strongest effect upon me was certainly philosophical, but I can see other influences as well. My general aesthetic is high-tech, d ark and ominous. Ive come to think of the anachronistic, multi-cultural and sensuous, post-Information Age world of Ridley Scott and Cyberpunk as a rich playground for the imagination. Granted, this may all seem old-hat and backwards to my 21st-century students when I finally incur a professor in a liberal philosophy department somewhere, but Ill keep my finger on the pulse of future philosophy and questions of take care and sentience, long after the science fiction scenarios of my youth have either become the familiar background of a new generation or the misanthropical prophecy of a past century.

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